Direct from Claire Hammett:

• Flemish, double manual, after Ionnes Ruckers (1624)
  by Mackinnon & Waitzman.
  Disposition: 2x8' & 1x4'. Compass: GG, AA - d3. Pitch: 415, 440.
  

• Flemish, single manual, after Andreas Ruckers (1640)
  by Richard Kingston.
  Disposition: 2x8'. Compass: GG/BB - d3. Pitch: 392, 415, 440.
  

• Italian, single manual, after Carolus Grimaldi (c.1700)
  by Ransom & Hammett.
  Disposition: 2x8'. Compass: GG - d3. Pitch: 415, 440.
  

• Italian single manual after anonymous RCM Italian (c.1600)
  by David Evans
  Disposition: 2 x 8' Compass: C-d3 Pitch: 392, 415, 440
  

By arrangement with Mark Ransom:

• German, double manual, after Michael Mietke (c.1704)
  by Bruce Kennedy.
  Disposition: 2x8', 1x4'. Compass FF - f3. Pitch: 392, 415, 440.
  
  
  
• French, double manual, after Jean-Antoine Vaudry (c.1681)
  by Andrew Garlick.
  Disposition: 2x8', 1x4'. Compass: GG, AA - d3. Pitch: 392, 415.
  
  
  
• French, double manual, after Goermans-Taskin (1764/83)
  by Michael Johnson.
  Disposition: 2x8', 1x4'. Compass: FF - f3. Pitch: 415, 440.
  
  
  
• Flemish, spinet virginal, after Hans Ruckers (1598)
  by Grant O'Brien.
  Disposition: 1x8'. Compass: GG - d3. Pitch: 415, 440.
  
  
  
• Italian, virginal, after anonymous Black Virginals (c.1600)
  by Peter Bavington.
  Disposition: 1x 8'. Compass: GG/BB - c3. Pitch: 415, 440, 466.
  
  

By arrangement with Juan Estevez:

• German, double manual, after Christian Zell (1728)
  by Bruce Kennedy.
  Disposition: 2x8', 1x4'. Compass: FF - f3. Pitch: 392, 415, 440.